黄秋生2020年12月接下台湾LINE TV实境节目《开着餐车交朋友》，与KID、宋柏纬搭档主持，3人预计开着拖挂式露营车展开1个半月的环岛。他们在晶华酒店举办开镜仪式，黄秋生刚结束隔离14天，苦笑道：“很闷，差不多快疯掉了。” 他展现冷面笑匠功力，故意揶揄KID：“他们告诉我你是国际巨星我才来的”，又说自己买了台语书，但是“放在香港忘了带来”。

黄秋生2020年12月接下台湾LINE TV实境节目《开着餐车交朋友》，与KID、宋柏纬搭档主持，3人预计开着拖挂式露营车展开1个半月的环岛。他们在晶华酒店举办开镜仪式，黄秋生刚结束隔离14天，苦笑道：“很闷，差不多快疯掉了。” 他展现冷面笑匠功力，故意揶揄KID：“他们告诉我你是国际巨星我才来的”，又说自己买了台语书，但是“放在香港忘了带来”。

LINE TV原創實境節目《開著餐車交朋友2》第二季依然由黃秋生領軍，搭擋莊凱勛、蔡凡熙，來自不同世代、個性截然不同的三人，這次透過實境秀相聚，一起開著餐車到處旅遊，走遍台灣的大街小巷，也令人好奇過程中會發生什麼有趣的事情呢？

LINE TV原創實境節目《開著餐車交朋友2》第二季依然由黃秋生領軍，搭擋莊凱勛、蔡凡熙，來自不同世代、個性截然不同的三人，這次透過實境秀相聚，一起開著餐車到處旅遊，走遍台灣的大街小巷，也令人好奇過程中會發生什麼有趣的事情呢？

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

外形彪悍凶狠，但心善正义的清采（官鸿饰），一日回家，发现养父韩忠被臭名昭著的明夷山庄绑架。追踪养父踪迹时，意外遇到同来山庄的女侠甘蒲（郑合惠子饰）。为了混入明夷山庄，清采只好男扮女装，没想到竟然再遇甘蒲，还一同成为了明夷山庄的试训弟子。好不容易混进山庄，一边隐藏身份，一边又要应付化妆教导洪会的过度关注，清采来到明夷山庄的第一天就危机四伏....

外形彪悍凶狠，但心善正义的清采（官鸿饰），一日回家，发现养父韩忠被臭名昭著的明夷山庄绑架。追踪养父踪迹时，意外遇到同来山庄的女侠甘蒲（郑合惠子饰）。为了混入明夷山庄，清采只好男扮女装，没想到竟然再遇甘蒲，还一同成为了明夷山庄的试训弟子。好不容易混进山庄，一边隐藏身份，一边又要应付化妆教导洪会的过度关注，清采来到明夷山庄的第一天就危机四伏....

赵镇的儿子赵耀祖在大排档胡作非为，妻子白芳芳的情人易俊文更是纵容赵耀祖。DNA鉴定证实赵耀祖实为易俊文之子，赵镇揭露隐藏多年的继承人身份提出离婚，白家人得知真相后追悔莫及。赵镇走出过去的阴影，与市长女儿林雪相遇，开启了全新的生活。

愛得太深也是一種危險....一名從小被漠視的女兒變成了佔有慾強烈的媽媽，當小孩開始上學後，她的世界彷彿開始崩解....